| Director |
Linda Marley Smith |
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| Cast of Characters |
| James Tyrone |
Joel King |
| Mary Cavan Tyrone |
Carol Wright |
| Jamie |
Steve Stacie |
| Edmund |
John Cauthen |
| Cathleen |
Jamie Bauer |
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| Production Team |
| Scene/Light Design |
Hank Sparks |
| Costume Design |
Celia Burnett |
Tech Assistant/
Set Construction |
Jason Martens |
| Stage Properties |
Lisa Coleman
Linda Marley Smith
Sheri Beyrau
Denise Dillard |
| Sound Design |
Bill Clancy |
Stage Manager/
Light & Sound Board |
Sheri Beyrau |
| Pianist |
Ross Creecy |
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Eugene O'Neill
Long Day's Journey Into Night
September 21 - October 14, 2007
America's Greatest Play! O'Neill
wrestled with his demons in this auto-biographical explosion of human
emotions. The family of a celebrated actor will reveal their haunted
souls in one day. Arguably the greatest American play,O'Neill's Pulitzer
Prize winning masterpiece is savage, beautiful and hypnotic.
"The Generic's production
is thoughtful,respectful, and sincere - a wholehearted investment
in the play... This production is worth the investment."
Jean Laidig, Port Folio Weekly
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Photography by Dean Stevens, SDI Inc. |
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From the Director
It is so rare that any theater has the courage to
produce A Long Day's Journey Into Night, that one
may only be able to particpate in it once in a lifetime; or, certainly,
only once in one's career. I had recently seen and been enthralled
by the PBS biography of Eugene O'Neill when Generic Theatre asked
me to direct this show. O'Neill's growth as an artist
culminated in this personal sacrifice of laying open for examination
the flesh of his family history, holding up for us its beating heart.
He offered the world, although believing it would not be read until
long after his death, an honest, authentic pivotal day in the life
of a very flawed family that roundly resonates with generations of
audiences perched like voyeurs peeping through a window he has opened.
Edmond's conversations with his father, in Act IV, reminds me of many
that my painter/philosopher son and I have enjoyed late at night.
These are the best moments... talking about things that deeply matter.
The cast and I offer this work to you, serving it up with high respect
for the privilege of working with this great material that still,
deeply matters.
- Linda Marley Smith, Director
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